The Dhananjayans
strongly believe that a piece of music can be rendered more precisely when
learnt directly from the original music composer. Whenever such music scores
are used in their productions, the Dhananjayans send their musicians for
direct training. They prefer performing to a live orchestra. However, they
help to make recordings for their students.
After the Dhananjayans
started producing group productions, they did their costumes, made jewellery
at home, composed their own music and trained a lot of other musicians
from talented, poor families and slowly built up a highly professional
group.
They believe
in bringing hidden talent to the public and have commissioned many talented
but initially unrecognised artists for their productions. The success of
these productions paved the way for many to national and international
fame.
After coming
out of Kalakshetra, the Dhananjayans branched out into their style of solo
and group presentations. The musicians who accompanied them were also just
starting to spread their wings, and as their experience and talent got
recognised, these artists started playing music for accompaniment for other
dancers. A majority of the present day musicians for Bharatanaatyam started
off by training and working with Bharata Kalanjali and Bharata Choodamani,
Adyar Lakshman’s school. The Dhananjayans continue to train musicians,
and actually have 3 sets of musicians at any given time. Musicians getting
overseas assignments or any other lucrative project, are sent with good
wishes and they return to perform for the Dhananjayans after fulfilling
their commitment. Even those who played with them since 1969, remain in
close contact with them because of the good rapport between musicians and
the establishment. In a field rife with dancers and musicians complaining
about each other, the Dhananjayans are lucky to share a very cordial relationship
with their accompanists.
There is the
oft-repeated criticism that musicians are given less importance in a dance
programme. The opposite is true of the Dhananjayans who believe in giving
as much importance to musicians as dancers, to such an extent that they
have been criticized as sometimes even overdoing it. In fact, other artists
complain that too much importance given to these accompanying musicians
make them very demanding.
The Dhananjayans
have been instrumental in providing musicians with proper professional
fees and all their musicians are well placed. They have brought some of
the accompanying musicians on the centre stage in music concerts through
organizing the Bharatakalanjali Sangeetotsavam. To recognise the contribution
of accompanying musicians, costume tailors, stage technicians and the like
towards the success of their programs, the Dhananjayans instituted awards
to honour them.
Musicians
trained under the Dhananjayans at Bharata Kalanjali, Chennai
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